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Eugène Fromentin

(French, 1820-1876)

Late Sun on a Farmyard

Oil on Canvas

31¾ x 25¼ Inches

Stamped, Lower Right, with the Cachet de Vente

of the Artist's Posthumous Studio Sale

Displayed in a Giltwood Gesso Louis XVI style Frame

Framed Dimensions: 39¾ x 2½ x 33¾ Inches

 

A substantial, late landscape by this notable French Orientalist who exhibited frequently at the Parisian Salons and was the recipient of numerous prizes and juried awards.

 

Fromentin was initially a student of Charles-Joseph Remond, the historical landscape painter, who won the Prix de Rome in 1821. He subsequently studied with Louis Cabat, director of the French Academy in Rome, who exposed him to the ideas and techniques of the Barbizon School. In 1844, impressed by an exhibition of the Orientalist landscapes of Prosper Marilhat, Fromentin made his first trip to Algeria where he painted numerous studies of the landscape and inhabitants, thus establishing himself as one of the most prominent of the second generation of French Orientalists. For many years, the people and culture of Algeria continued to provide themes for his work.

 

Fromentin's first public success was with the landscape, 'By the Gorges de la Chiffa', which he exhibited at the Salon of 1847. The artist's many subsequently exhibited works at the Salon included:

• La Place de la Brèche à Constantine (1849)

• Enterrement Maure (1853)

• Audience chez un chalife (1859)

• Bivouac arabe (1863)

• Chasse au faucon (1863)

• 'Chasse au héron (1865)

• Voleurs de nuit (1867)

• Halte de muletiers (1869)

• Le Nil (1875)

• Un souvenir d'Esneh (1875)

 

In addition to a successful artistic career, Fromentin was also the award-winning author of numerous works on travel, art theory and art history, including 'The Old Masters of Belgium', 'Holland, Dominique' and 'A Summer in the Sahara'. In 'The Old Masters of Belgium and Holland', he explored the complexity of Rubens and Rembrandt's paintings with informed speculation about the artists' emotions during the process of their artistic creation. This painting is also accompanied by the 1936, art deco edition of Fromentin's work, 'A Summer in the Sahara'.

 

Eugene Fromentin is listed in all relevant art biographical dictionaries including Benezit which also shows an image of the Cachet de Vente seal authenticating the painting as originating from the posthumous sale of Fromentin's estate.

 

Reference:

E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 5, p. 742-744; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis Gegenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 12, p. 523; Mallett’s Index of Artists, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1935, p. 148; et al.

 

 

 

 

 

 

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